Guilt Has Feathers Too

Photo by Steve Linster -<a href="http://www.publicdomainpictures.net/view-image.php?image=6741&picture=peacock-feather">Peacock Feather</a> by Steve Linster

Guilt Has Feathers Too

-Iris Arenson-Fuller – Feb  2012

Guilt has feathers too
that open at the touch of a button.
even buttons you forgot you had,
definitely pre-wired.
we can see the feathers opening,
slowly spreading dark colors,
spilled ink soaking into our souls.

These are not the iridescent feathers
of the peacock, screaming out glory
or nobility, but it depends on which
ethnic foods you eat and who sits
at the table when you wipe off
your greasy fingers and belch.

Those admirers in Harrybrooke Park
who visited, put down their blankets,
focused eyes on the busy blonde boy
pulling his corn-rowed sister in a wagon,
sweet laughter that we seldom hear now,
they only knew the peacock feathers
of the Hindu goddess Lakshmi, so what they
perceived then was just brilliant feathers unfurling
ocean colors of kindness and good luck,

I watch now in a mirror, both gift and curse.
I think my stylist needs me to see
how the back of my head is still there,
not flattened out or bald from the ravages
of life’s teasing and too many unkind years.
I don’t want the spray of guilt that mists the heart,
guilt that you and I share, wrapped up tightly
in genomes, sometimes like cruel gnomes.

Any Buddhist can tell you that peacock feathers
are steeped in meaning and life is always offering
its teas of renewal or drinks of defeat
that you may choose from a tea chest.
maybe you were blinded by your own colors
when you spread your tail seeking admiration.
you had .a steady diet of poisonous plants,
like your friend, the peacock, but now you must claim
your ability to survive even in the face of suffering.

For you, I would sew more eyes on the peacock’s feathers,
make you watch the heavens cleave to pour wisdom
like a balm for your deep, invisible wounds.
I would rip out the fear, the feathers of vanity and guilt,
perform a transplant, fill your skin with golden feathers.
I would watch you fan them out, heart again uncluttered
as you let the light carry you back to the brilliance,
to the blues and greens that once sat happily on your canvas..

Remembering Thumbs and Other Parts

Hi to my regular readers and to any new ones.  I know I haven’t been putting up new posts for a while. So much has been going on personally and professionally. I promise to get some things up for you soon.

Meanwhile, this is a poem I have been working on for a while. I recorded it on Sound Cloud and shared it on Facebook but here it is in print. I would appreciate your sending it on to others who might enjoy it.

If you haven’t heard it through the post on Facebook, here is the Sound Cloud link:

http://soundcloud.com/irisarenson-fuller/audio-recording-on-tuesday

Remembering Thumbs and Other Parts

                                             Iris Arenson-Fuller-Nov 2011

We danced in the kitchen
on the linoleum you could eat from
if all the dishes were dirty
(though we knew that would never happen
in my  mother’s house).

My father let me stand on his shoes,
held my hands tightly till I felt the blood
squeezing up through my arms, past the neck,
oozing out my elf ears like Crest toothpaste
forced from the tube.

We waltzed and laughed,
his extra thumb an anchor as I gripped it,
thinking all dads had one,
steadying myself from waves
of dizziness, seasick from twirling,
after big bowls of  spumoni from Sal’s store
on the corner..

While we waltzed, we listened to
the mixmaster churning, finally freed
of the plastic cover she dressed it in.
the oven slowly worked its way up
to meet requirements, ready to greet
trays of perfect white circles,
rolled into balls, flattened, kissed
with jelly thumbprints by my mother’s
two loving hands, diamond rings off,
sitting on the speckled counter.

I got a gift around that time,
a book about K’tonton, Jewish Tom Thumb,
mischief-maker extraordinaire, like me.
I climbed in and out of his pages,
hung upside down by my own thumbs
from the rim of a wooden  mixing bowl,.
never once scolded for the flour I scattered
to the winds when I happily swam in the batter.

It took me years to look up and notice
the things that others saw.
my fat little thumbprints were
dancing on the kitchen window
smudging my visual highway
to the life stationed outside awaiting me,
a windy, cold world I never ran through
without furry white coat, matching
hat, gloves and fancy purse bought with
my big sister’s first paychecks..

Sometimes my father’s extra thumb
tapped tensely on the formica kitchen table,
he frowned into the black phone balanced on his shoulder
while my brother shouted at him across town
where he lived with his wife and kids.

I covered my ears, till the voices softened,
fought off the twitches I hated,
yet that  kept me snug and safe,
took me far away from scary songs
of self-blame nobody else ever heard,
went back to my books and waltzing.

Years later, they put my brother’s leg on display,
a hospital peep show through a small window
in the hyperbaric chamber.
they all cringed  but  I looked in.
when they severed the leg, tossed it on a pile
in leg limbo, my brother took his first wooden steps,
eyes frozen on my father’s face, no more shouting,
but no more waltzing for either one.

My brother’s eyes were tired the last night I saw him.
standing together, we caught a quiet moment,
cradling it,  a firefly captured in the dark.
he was the sick one, he told me–that was that,.
no discussion, so my kidney stayed safely tucked inside,
as his body parts continued failing and falling,
collapsing organ dominoes.

I was grown then, my two eldest with sweet fat cheeks,
the blonde one and his suck-a-thumb sister,
her neat cornrows perpetually housing sand
from pre-school playtime,
they stayed up past bedtime, thumbing through Oz books,
thumbing their small noses at grown up rules,
they thumb-wrestled with their strong father in the days
before MS claimed  his body parts as ransom.

I begged the wind to blow our inside-out umbrella-world
back in place, to send bad luck swirling over trees
to raise leafless branches high, twig-thumbs up
in praise of whatever gods  could wrap the pieces
of our shattered lives in cotton wool, carry them home
in the sweet silence of dawn, glue them together, make them work,
the cut up parts and limbs, real and artificial,
the crutches, borrowed kidney, defective hearts
that seemed to stop time for us.

.My begging though, was like watching a hitchhiker
thumbing a ride on a dark country road
where few cars passed and those that did
spat rejection as they kicked up stones and dust.
I can also see the girl, braids flying and the woman,
with the heart that goes wild with no warning,
yet finds its own mini- rhythm and beats on,
a ruddy structure with invisible holes,
a tiny instrument in a symphony on auto-play,
making music even when she believes
there is only death.

.

Finding the Shut-Off Valve In a New Year

When life is hard, but we must still manage to live it….

 

http://www.flood-pictures.com/wp-content/gallery/flood-pictures-2/cover-me-said

Lately, the floodwaters have been rising
wherever I turn
the river, hyperactive, vaulting off its own banks,
a frenzied performance of break-dancing
that leaves me in awe but afraid

This is not the river I thought I knew
that once carried duck clans and lillies
on its modest back, rocked them to sleep
with tender ripples now transformed, 
declaring war on all that lies in the path of boldness

In the silence when creatures creep sneakily,
i am lulled into half-sleep, pretending serenity
in truth my mind’s eye is a tense sentinel
awaiting the fury of floods from the past, 
memories of the dead ones and mistakes
that fly by to squeeze my heart till nothing flows

These memories bear me no ill will
 in fact I pray to them at times,
their trust proven over years of trials and tears
they have not abandoned me wilfully
but I often feel boarded up and empty

If a talisman, a gaudy religious trinket
would help to plug a small hole in a life
that spurts out things to make me shiver,
things that shout playground taunts
drowning out the rational brain,
I would buy a truckload.

I  force myself to live in a present
 never wrapped in splendid paper
I try hard  to keep a small finger in the wall,
so the floods are somewhat tamed
while I do my best tending
to bread and butter business.

I am tethered, though, my range of motion small
adhesions thickly formed to prevent me
from moving too far from the plugged up place
even much-craved half-sleep is full of worry
working its way into creaky joints the gym and I trick
the mind into forgetting.

Somehow, in the New Year, I will find a way
to dip apples in honey, to clear wax from my ears
so I can hear the hundred notes of the ram’s horn
and when it is time to empty pockets, cast off sins
I will remove the finger and let the waters flow,
eyes squeezed shut, hoping I won’t be carried away.

Guest Post By Jesse Abbot

This post is the exclusive property of Jesse I. Abbot and may not be copied or reproduced. It is posted here with the permission of the author. More of his work can be found at http://www.jesseabbot.com

from the book of common care – sometimes darkness mates with light

Aug 31, 2011

We all clamor for light instead of darkness.  .  .except when we want to catch some sleep, and we draw the curtains or blinds. Most often, though, we bend toward light as a sunflower does – as many creatures on the earth do.

Yet sometimes there is intermittent light and darkness; sometimes darkness mates with light. We cannot stop this coupling, and so we must keep vigil in order to receive the light when it does come our way. We can use the darkness to sleep ’til we are refreshed, but we must not assume that illumination will not come amid our nights.

Of course I am using metaphors, but whether I am speaking of spiritual darkness or literal night, the images persist, and we can find our way with them. Sometimes we look for a flashlight or our eyeglasses in the dark – and literally all we need to locate them are a flashlight or glasses! In other words, sometimes there is no immediate path through this flashing on and off of light, and we need to contend with paradox. We cannot lord over the progression of darkness and light and darkness again; we cannot have dominion over what emerges in our worlds.

Of course there is prayer, and that carries its own flame or light. Prayer can help us navigate through what we cannot control, and know that goodness does not always come in happy moments; goodness and holiness are color blind and light-and-dark-blind. I pray that you may find your hope and goodness in all kinds of weather, and in all gradations of light and darkness. I pray that sometimes in the moonlight, you may see a reflection of the sun, and know that the deepest Sunday or Inner Sabbath is near.

Prying Open the Bud

Prying Open the Bud

                 -Iris Arenson-Fuller

“And the day came that the pain it took to remain tight in a bud was greater than the risk it took to blossom.” -Anais Nin

when we feel the waves crashing against the windows
despite living in a land-locked town
sand grits up the mind, waves whisper secrets
not heard by others, growing louder in the head

     it’s time to bolt from rooms
    that engulf us in smoky dark
    time to blink into the sun that warms
    earthworms, budding flowers
    and tortured souls alike

time to do it when limbs are just long, pale pouches
with pounds of pebbles sewn inside, weighing us down
when our cell nuclei, not our ears
hear the haunting music
of the evil snake charmer
who tells us there is no hope

    time when we want to run from the high-def
    big screen picture,
    our personal horror show
    turning on relentlessly as we try to relax
     into tiny moments that let us breathe

If we don’t force ourselves to exit and find the light
our children will be orphans, forever dreaming
of unfulfilled promises that sit in a box upstairs,
memories fading fast, lemon juice ink on paper

    we must seek elusive brightness under the veil
    must push ourselves out with the contractions, not resist.
    true the soul feels fragile, unreal,
    but is as real as your foot,
    part of God’s essence, impossible to kill

who will keep repeating to us that all is temporary?
those who love us and fear we won’t listen?
the face in the mirror that knows the truth
but shrinks from it out of fear and guilt?

     some guru, merely as human as we are,
     though we resist our own humanity, fight the wind
     with an inside-out umbrella, then just give up?

we sometimes learn too late that punishment
meted out by demons we create is far more ugly
than any real demons hiding under rocks
those who believe in the Next World of Truth will tell you
even there, only the most truly wicked make eternal payment

     the average bear gets a ticket
     to watch his life play back
     to feel the pain of squandered potential
    keeping him from Oneness
    but only till the lessons sink in
    and his spirit is freed

it’s time to bolt, urging unwilling limbs to move,
reluctant brains to unstick the needle caught in the groove

     time to blink into the sun that still warms
    earthworms, budding flowers
    and tortured souls alike
    if we force open those buds,
    risk living, thumb noses
   at those who would try to trap us
   into squandering our potential.
   we will see spring flowers blooming
    in dead of winter, I promise

Cage Dancing

From http://pennydreadfulvintage.blogspot.com/2011/06/1960s-go-go-dancing-pictures-and-videos.html

I knew a girl once, a woman really, 
who did erotic dances in a cage.
remember those way back in the 60′s?
by day she cooked soup just down the hall
in a three-room flat with cheap calendar photos,
flowers stapled to dirty green walls, paint peeling,
shabby and sort of sad, like her.

“Here, have a spoonful, no, take a bowl,
tupperware tumbling from the top of the fridge.
meanwhile her four-year-old, Rose, played on the floor
down in Fresno, in grandma’s kitchen,
scribbling happily on envelopes that came
every Monday with twenty-dollar bills for
the weekly trips to Safeway.

Cage Dancer fed me bowls of thirty-something wisdom
riding together in the open-cage elevator on sleezy Turk Street.
we tapped out soft female drum rhythms as we walked,
she with thin, high heels, me, with sandals straining
 to match her percussion, but failing, on the way to the post office.
I carried letters to mail home to Brooklyn, lies running
off the pages like slaughterhouse blood.

I only remember her child’s name now.
dancer’s words were frescoed with brashness,
her face, caked with makeup, hair garrish,
gleaming, even on foggy San Francisco days.
she was kind enough, but shot me down when
I asked for help landing a cage dancing job,
saying I lacked the requisite equipment.

One night, a friend and I watched her work,
saw her blazing hair under hot lights, red velvet  costume
tautly stretched across body straining for release.
at nineteen we still believed ourselves forever free.
others were stuck in cages, gyrating to someone else’s tunes,
seated in corners with self-made duncecaps on their heads,
trapped by their own limitations.

Cage dancer expressed milky blessings that I refused,
that wept down my chin, my eyes too young
and stubborn to yet know any real reasons for weeping.
I ate soup with kale, stock of thick bones,
simmered to sleep, then awakened with full flavor.
I carried letters to mail home to Brooklyn, lies running
off the pages like slaughterhouse blood.

BOMBS THAT DROP

 

 

 

 

 

 

 

 

Bombs That Drop

Iris Arenson-Fuller, June 2011

(If you’re wondering why the photos don’t at first seem to fit the poem’s title, I invite you to read on!)

 

I have been both the bombardier and the debris
left standing after dropping of the bomb.

Sometimes life looks  like Joplin, sad victims pacing,
tears flowing through the streets making rivers.
You see bits of great aunt’s blue china floating
in runnels of tears, a monkey sock doll,
a dog’s dish, empty, beseeching the sky
for something to fill it, for a small creature
to come bounding and barking out of the rubble
at dinnertime.

I have been the one sitting under willows,
writing sad poems accompanied by bee music.

Life buzzed by taunting with singsong rhymes
on willow days when poems were born gasping for air
after birth, some never claiming rightful life
because I, too, was reluctant to claim it.

I sat hiding from the sun, dreaming fitfully
of a green, fertile past, long gone.

I used to search the land for targets to destroy
on orders from my brain, untrained in peace.
My normal was long days of constant guard-duty
stuck in a foxhole, muscles tense, watchful
for new heartaches threatening to crash,
no idea that I was the enemy, not life.
Joy was my hostage, carefully contained,
tightly bound.

A friend said yesterday, “Life just sucks,
but then gets better and then it sucks again”.

She isn’t wrong but now I know a little better
how to find the sweet spaces in-between,
where we sink in and marvel at the quiet.
I can sit watching the trumpet lilies, peaches, pinks,
spreading over the day, delicious marmalade,
and not be so afraid of what’s next.

When life looks like Joplin on the news
I admit I wait for the waters to rise.

I do my best to turn off shape-shifter dreams
that fast become nightmares where bombs explode,
though the horizon was peaceful moments ago.
It’s not easy but I prefer dreams that float in,
leaves gently stirred by breezes, a lover’s touch,
barely there, promising greater pleasures.

Alphabet Soup

                 

Alphabet Soup
                                   By Iris Arenson-Fuller-Revised June 15, 2011
 
 Sometimes we witness wild animal tantrums
 but she’s two, so we know what that means.
She sings like our own black-capped chickadee,
carried tunes before she walked, makes us laugh
even when the sky is midnight and our legs feel
like we’re marching through fields of ashes,
even when gloom we can’t shake, shadows us in silence.
Then there she is, baby bird girl, elfin,
caramelized sugar, sticky kisses, birdsongs,
floating from small grandbaby lips like flute sounds.
 
***
 
Press E for Elmo, press B for Bert, G for Gabby,
press all the letters, letting them drift softly to the brain,
making a little letter-burrow, living there till the end of days.
I will need them later to battle other letters, the harsh ones,
to push those off the field with swords of happy memory,
to take the Boar’s Tooth Stance, guarding, then thrusting
as the second cruel alphabet threatens to attack.
 I will need them as weapons against big-as-life scary things,
the kind that happen when we worry endlessly,
the kind that happen when we don’t.
 
***
 
The girl engine hums a tune, her eating-music.
Between bites of pancakes and strawberry, the motor rests,
A real song takes shape, rising up in sweet vapors,
floating over us like bottled-up genie notes set free.
I  think of letters that try to lock me into fear,
call to me from the vat of bitter soup steaming below,
waiting impatiently for me to lose my grip and fall. 
 Evil letters from the past, ones I hate to think of,
 swim with those from lessons yet unlearned.
I recite them in the night, almost sacred, though hated.
MS, MI, PTSD, COPD, AD, more that yet have no meaning,
but lurk when I let them into dark imagination.
 
***
 
I say stop then, hushing bustling brain
with spoons of good soup.

I know I want my alphabet soup golden, savory,
alphabet noodles
swimming in flavor,
melting on the tongue, sweet carrots too,
snow peas, bits of tender chicken courting me,
promising amazing desserts.
I want to smoke pipes of licorice, eat years of penny candy.
I want to play with spun brown sugar girl till the moon yawns,
till the sun rises, kisses the moon and heads off to work.
I don’t want to worry about big-as-life scary things
while goldfish are dancing in the sky for us to catch.
I want to press E for Elmo, B for Bert, G for Gabby and I will.

Machete Magic-Seeing Kim (Oct 1, 1943-March 12, 1982)

                      -Iris J. Arenson-Fuller

Machete Magic-Seeing Kim (October 1, 1943-March 12, 1982)

I-
      I see him out in the yard, no shirt
sun imprinting rays on naked back,
etching an Aztec calendar in skin.
The small silver one I bought him
used to tarnish from his acid sweat.
I made a ritual of polishing it.
From kitchen window, I admire muscles,
bull neck, robust arms, thick, reassuring calves.
Machete in hand, he dances, attacks brambles,
strategizes against weeds that will not win.
A smile spreads, batter-like over his face,
oozing into hazel eyes with flecks of orange.
The mower in the shed, dejected,
expensive German steel he had insisted on,
pushmower bought on one of many whims.
He refused to stand behind a power machine
along with the neighbor-clones.
He choreographs his moves, muscles recalling
Zen football in Golden Gate Park.
He becomes 
an artist, pretends to paint poppies
with the blade,
but cuts them down instead.
For a moment,
he is sad, then resumes the planned offense.
Resting, he chugs water, between swigs, sings a loud song
hidden in his head from a years-ago acid trip.

II-
     One day he announces no more machete.
 He wants vines and weeds growing fast,
crawling over doors and covering windows,
undulating snakes protecting us from outsiders,
blocking out wind and troubles that threaten chilled bones.
We are sweetly huddled together by the soapstone hearth
listening to endless Oz Tales on the worn striped couch
in the big white house on Unicorn Hill.
I think about machete magic, how it up and left.
When I tried to solve the trick of cups and balls,
no matter how fast my eyes raced to catch the magician
at his game, I saw the dull thud of death.
The magic just went away for too long,
leaving a  new joyless madness that paralyzed us all.
True, we survivors walked again, hanging on to trees
with thin bark, breath forming flimsy questions and sighs.
There were no pills but only time and light
sneaking in slyly through cracks in the armor.

III-
     When new fears swell, larger than Coney Island waves,
I cry and roar internal prayers that lips quickly change
(for survival’s sake) to soft musical pleas.
I am mother, interloper by nature in their adult lands,
also founder and keeper of what was native and safe,
I can uselessly dig for maps that lead to fresh magic
till doomsday peeks through the bedroom curtain.
What is hiding in folds of invisible cloth is like poems in Braille
waiting to be touched and read.
They must first find the cloth and will to live
 without aid of mother-midwife.
The machete rusts in the red shed. 
I watch for Kim’s ghost wondering if he sees us too,
wishing he could block out wild wind
 and troubles that threaten to chill bones.
Eyes seek light that is slow but will arrive.
I dream of us sweetly huddled together by the hearth
in the big white house on Unicorn Hill.

Photo by Zoe

MANDEL BROIDT

 Mandel Broidt

                                                           -Iris Arenson-Fuller,    Feb 2011

Gertie was no master European pastry chef
creating glorious golden strudels or pies of scraps
and wishes  from the cupboard and ice box.

That was her mother, rotund, sweet-faced
sporting a flower in her hair, large drooping breasts
hiding under the full length patterned apron.

Gertie’s mother gathered ingredients in the apron
holding it out gently like ancient treasure,
carrying baking bounty from pantry to work table.

 Grandfather prayed and swayed in the next room
droning, bending, sniffing as wife sifted,
rolled, pinched, conjured up sweet miracles

Did she think of Romanian campfires and gypsy
remedies while magic and surprises hovered in
her kitchen, invisible vibrating hummingbirds?

My mother planned and measured, pounded dough
into resignation, beat the white floury, eggy mess
till what made no sense sighed,
assuming the  order she needed to feel safe.

Mama’s  kitchen was unlike mine,
things spilling, minds of their own,
jumping from blue glass bowls, creating chaos.
Her kitchen was sparkling, predictable, as she knew
the real world never was, never would be.

On clear, cold nights, when we went outside
to watch for shooting stars, she studied recipes,
chopping precisely, never adding odd tidbits stashed
in the  cupboards of imagination, as I would.

She hummed the song, Ramona from the days
she and my father courted, but hummed so softly
that the dog sleeping under the table could barely hear.

When perfect crisp logs, never lopsided, emerged,
more measuring then cutting and frosting.
Vanilla, chocolate, strawberry in equal numbers.

Warm prizes peered out from the every-day white
china plate or the flowery one for company.
Hands reached and teeth unearthed fruity secrets
while eyes found my mother’s smile.

Yearning is foolish but how well I remember
the predictability of us at the table, counting chews,
entering Gertie’s orderly world. where for that quiet moment,
we wanted nothing more.